A SAFE HOUSE FOR NAUGHTY CHILDREN, 2025
Sculpture workshop at Hybrida Festival, Ängsbacka, SwedenDocumentation by Olof Ekman
FIETSAFFAIRE, 2024
Corantijnstraat 27, Amsterdam 2024Group exhibition curated by Lieselot Versteeg & Triin Kukk





CALL 150, 2023
Solo exhibition at Rindö Redutt, Vaxholm, Sweden
The exhibition begins with a sound installation by the bridge leading over to the site. Recordings from the nature surroundings have been mixed into a brooding soundscape echoing from the cracked mountain.
A collection of sonic sculptures and artifacts are presented in the gallery,
each object witht its individual sound and together creating one unison chant. The culmination of sounds is the same as presented by the bridge.
The works came together during the art residency Air BKN, Björkö and in the surroundings of Rindö Fortification.
Sound mix and video documention: Michael Bucuzzo







CHARACTERS REHEARSING, 2017
18 sculptures made for Karl Larsson’s show “Dinosaur” at 1857, Oslo
Mixed media, plaster
Mixed media, plaster
MIDDLE STATION, 2020
MFA Graduation show, Sandberg Instituut
Single channel video installation (09:43 min), 7 wooden sculptures,
Single channel video installation (09:43 min), 7 wooden sculptures,
HET Hem, Amsterdam / 2020
Filmed in my garden, the camera observes objects I carved from rotten, compressed wood. I treated the decaying material of
Euro-pallets until it became clay-like, allowing light and weather to animate the forms. The aim was to make objects that appear as totems or ritual residue in a period of waiting and reminiscing during lockdown. The video captures serendipitous moments – the uprooting of a tree, a sleeping moth waking up at night.






“Have you ever become friendly with a butterfly?
One fell asleep on our cap in Vienna. She stayed with
us as we wandered around, in and out of bars,
following rabbits and streetlamps through the night.
When she woke up, she blinked at us slowly for quite
a long while, unfurling and recomposing herself
repeatedly, deliciously, until she was sure we were
properly attentive. Which do you wonder first: what
they’re doing to you? Or what you’re doing to them?
Maybe you’re one to split the difference instead.
“What’s a transmitter without a receiver?” you’re
asking yourself. A parallel world, that’s what.
They are waiting, we are waiting, for that agency we
sense but don’t fully comprehend.”
– Angie Keefer
– Angie Keefer
TUNING ROOM, 2024
Lecture performance, Michael Bucuzzo
Role: Writer
IDFA - DocLab Spotlight & IDFA on Stage (2023)
Eye Conference (2024)
“Tuning Room is a mixture of sound performance, artist talk and film screening – presenting our growing media archives as a kind of materialist spirit world. Through spoken text developed by artist and collaborator Klara Waara, the filmmaker charts a diaristic journey through the media that has ‘possessed’ him, and by way of live sound, invites the audience to conjure their own links between media and memory.”
Role: Writer
IDFA - DocLab Spotlight & IDFA on Stage (2023)
Eye Conference (2024)
“Tuning Room is a mixture of sound performance, artist talk and film screening – presenting our growing media archives as a kind of materialist spirit world. Through spoken text developed by artist and collaborator Klara Waara, the filmmaker charts a diaristic journey through the media that has ‘possessed’ him, and by way of live sound, invites the audience to conjure their own links between media and memory.”
